The trivial experience of every day is always verifying some old prediction to
us and converting into things the words and signs which we had heard and seen
without heed. A lady with whom I was riding in the forest said to me that the
woods always seemed to her to wait, as if the genii who inhabit them suspended
their deeds until the wayfarer had passed onward; a thought which poetry has
celebrated in the dance of the fairies, which breaks off on the approach of
human feet. The man who has seen the rising moon break out of the clouds at
midnight, has been present like an archangel at the creation of light and of the
world. I remember one summer day in the fields my companion pointed out to me a
broad cloud, which might extend a quarter of a mile parallel to the horizon,
quite accurately in the form of a cherub as painted over churches, --a round
block in the centre, which it was easy to animate with eyes and mouth, supported
on either side by wide-stretched symmetrical wings. What appears once in the
atmosphere may appear often, and it was undoubtedly the archetype of that
familiar ornament. I have seen in the sky a chain of summer lightning which at
once showed to me that the Greeks drew from nature when they painted the
thunderbolt in the hand of Jove. I have seen a snow-drift along the sides of the
stone wall which obviously gave the idea of the common architectural scroll to
abut a tower.
By surrounding ourselves with the original circumstances we invent anew the
orders and the ornaments of architecture, as we see how each people merely
decorated its primitive abodes. The Doric temple preserves the semblance of the
wooden cabin in which the Dorian dwelt. The Chinese pagoda is plainly a Tartar
tent. The Indian and Egyptian temples still betray the mounds and subterranean
houses of their forefathers. "The custom of making houses and tombs in the
living rock," says Heeren in his Researches on the Ethiopians, "determined very
naturally the principal character of the Nubian Egyptian architecture to the
colossal form which it assumed. In these caverns, already prepared by nature,
the eye was accustomed to dwell on huge shapes and masses, so that when art came
to the assistance of nature it could not move on a small scale without degrading
itself. What would statues of the usual size, or neat porches and wings have
been, associated with those gigantic halls before which only Colossi could sit
as watchmen or lean on the pillars of the interior?"
The Gothic church plainly originated in a rude adaptation of the forest trees,
with all their boughs, to a festal or solemn arcade; as the bands about the
cleft pillars still indicate the green withes that tied them. No one can walk in
a road cut through pine woods, without being struck with the architectural
appearance of the grove, especially in winter, when the barrenness of all other
trees shows the low arch of the Saxons. In the woods in a winter afternoon one
will see as readily the origin of the stained glass window, with which the
Gothic cathedrals are adorned, in the colors of the western sky seen through the
bare and crossing branches of the forest. Nor can any lover of nature enter the
old piles of Oxford and the English cathedrals, without feeling that the forest
overpowered the mind of the builder, and that his chisel, his saw and plane
still reproduced its ferns, its spikes of flowers, its locust, elm, oak, pine,
fir and spruce.
The Gothic cathedral is a blossoming in stone subdued by the insatiable demand
of harmony in man. The mountain of granite blooms into an eternal flower, with
the lightness and delicate finish as well as the aerial proportions and
perspective of vegetable beauty.
In like manner all public facts are to be individualized, all private facts are
to be generalized. Then at once History becomes fluid and true, and Biography
deep and sublime. As the Persian imitated in the slender shafts and capitals of
his architecture the stem and flower of the lotus and palm, so the Persian court
in its magnificent era never gave over the nomadism of its barbarous tribes, but
travelled from Ecbatana, where the spring was spent, to Susa in summer and to
Babylon for the winter.
In the early history of Asia and Africa, Nomadism and Agriculture are the two
antagonist facts. The geography of Asia and of Africa necessitated a nomadic
life. But the nomads were the terror of all those whom the soil or the
advantages of a market had induced to build towns. Agriculture therefore was a
religious injunction, because of the perils of the state from nomadism. And in
these late and civil countries of England and America these propensities still
fight out the old battle, in the nation and in the individual. The nomads of
Africa were constrained to wander, by the attacks of the gad-fly, which drives
the cattle mad, and so compels the tribe to emigrate in the rainy season and to
drive off the cattle to the higher sandy regions. The nomads of Asia follow the
pasturage from month to month. In America and Europe the nomadism is of trade
and curiosity; a progress, certainly, from the gad-fly of Astaboras to the Anglo
and Italo-mania of Boston Bay. Sacred cities, to which a periodical religious
pilgrimage was enjoined, or stringent laws and customs, tending to invigorate
the national bond, were the check on the old rovers; and the cumulative values
of long residence are the restraints on the itineracy of the present day. The
antagonism of the two tendencies is not less active in individuals, as the love
of adventure or the love of repose happens to predominate. A man of rude health
and flowing spirits has the faculty of rapid domestication, lives in his wagon
and roams through all latitudes as easily as a Calmuc. At sea, or in the forest,
or in the snow, he sleeps as warm, dines with as good appetite, and associates
as happily as beside his own chimneys. Or perhaps his facility is deeper seated,
in the increased range of his faculties of observation, which yield him points
of interest wherever fresh objects meet his eyes. The pastoral nations were
needy and hungry to desperation; and this intellectual nomadism, in its excess,
bankrupts the mind through the dissipation of power on a miscellany of objects.
The home-keeping wit, on the other hand, is that continence or content which
finds all the elements of life in its own soil; and which has its own perils of
monotony and deterioration, if not stimulated by foreign infusions.
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